The band kept refining their own balance of symphonic and metallic thereafter, with each album (arguably) better than the one before. “The Vampire from Nazareth” is one of the most effective opening tracks in Symphonic Death Metal. I believe the defining Septicflesh moment came with the release of their eighth record, The Great Mass (2011). Just a fancy way of saying that after being a band for over thirty years, there’s a shit ton of history to sort through, and several distinct changes to their sound. There are many directions a discussion about new music from Septicflesh could go, with the most potential topic for off-course communication going to which era of the band is the most appropriate benchmark for criticism.
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